Lord of the Flies They Were Silent Again Simon Intent; Ralphand Faintly Indignant
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Lord of the Flies Identity
Identity
- Chapter 1
- Piggy
-
"I don't care what they call me," he said confidentially, "so long as they don't call me what they used to call me in schoolhouse."
Ralph was faintly interested.
"What was that?"
The fat boy glanced over his shoulder, then leaned toward Ralph.
He whispered.
"They used to call me Piggy!" (1.65-seventy)
Before the boys reveal their names, they are identified past their appearances. Ralph is "the fair boy" and Piggy the "fat" one. But Piggy's proper name itself refers to his weight, which means even back in the civilized world appearance adamant identity. We might experience better knowing everyone's real name, merely is at that place really a difference between being chosen "the fatty boy" and "Piggy"? Aren't they actually the same affair?
- Chapter 4
- Jack
-
Jack planned his new face up. He fabricated 1 cheek and 1 center-socket white, then he rubbed cerise over the other half of his face and slashed a black bar of charcoal across from right ear to left jaw […]. "Samneric. Get me a coconut. An empty one."
He knelt, holding the beat out of h2o […]. He looked in astonishment, no longer at himself but at an awesome stranger. He spilt the water and leapt to his feet, laughing excitedly. Beside the puddle his sinewy body held up a mask that drew their eyes and appalled them. (four.31-33)
Jack is as excited about his new identity as we are about getting a bang-up new haircut. Sure, possibly he's just excited because information technology's a cultural taboo. So over again, maybe he'southward excited considering he knows it's going to give him power over the others.
- Affiliate 8
-
He giggled and flecked them while the boys laughed at his reeking palms. Then Jack grabbed Maurice and rubbed the stuff [blood] over his cheeks. (8.195)
After the boys kill the female parent pig, they smear their faces with her blood. First things beginning: ew, gross. Just information technology's also smart. The claret becomes a mask that distances the boys from the consequence. If they don't feel like themselves, their deportment don't seem every bit horrifying to them.
- Chapter 10
-
The chief was sitting in that location, naked to the waist, his face blocked out in white and red. The tribe lay in a semicircle before him. (10.119)
Now that they're naked and painted, they're not Jack and the choir; they're "the chief" and "the tribe." The paint has literally inverse who they are.
- Affiliate xi
- Ralph
-
"And so nosotros must go as we are," said Ralph, "and they won't be any meliorate." Eric fabricated a detaining gesture.
"Just they'll be painted! You know how it is."
The others nodded. They understood only also well the liberation into savagery that the concealing pigment brought. (11.63-66)
Check out Golding'due south almost paradoxical use of "liberation" and "concealing." The pigment does both: it liberates the boys by concealing their identities. If you know you won't exist recognized, yous're a lot more than likely to exist a total jerk. (Just ask anonymous Internet trolls.)
You lot can see who I am!" [Ralph] shouted. "End being silly!"
He put the conch to his lips and began to blow. Savages appeared, painted out of recognition, edging circular the ledge toward the neck. They carried spears and disposed themselves to defend the entrance. (11.106-107)
This "You tin see who I am!" is Ralph's major weapon. He asserts his identity hoping that information technology'll permit him reason with the boys—but it doesn't mean anything, since the boys are beyond things like "identity" now.
-
Someone was throwing stones: Roger was dropping them, his one hand withal on the lever. Below him, Ralph was a daze of hair and Piggy a purse of fatty. (11.198)
From Roger's vantage point (literally and figuratively), Ralph and Piggy have no humanity. He reduces them to "hair" and "fatty," because if they accept no identities and so he'due south non actually a common cold-blooded murderer.
- Affiliate 12
-
The boys, their bodies streaked with colored dirt, abrupt sticks in their easily, were standing on the beach making no racket at all. (12.219)
When the naval officer shows upward, the "painted savages" turn back into "little boys" covered with dirt and holding precipitous sticks. Ralph is no longer afraid of them in the presence of this representative of civilization and the adult world—even though the boys could conceivably overpower the developed and send him the way of Simon and Piggy.
Quote Ralph listened […]. He had fifty-fifty glimpsed one of them, striped brownish, black, and carmine, and had judged that information technology was Nib. But really, idea Ralph, this was not Bill. This was a savage whose image refused to alloy with that aboriginal film of a male child in shorts and shirt. (12.2)
Ralph is doing what we aren't immune to practice: he's convinced himself that these petty terrors aren't the same boys he knew earlier. If they were, he'd have to face the fact that they all—including himself—are evil and savage. It's a lot easier for him to say "this [is] non Bill." Is he correct? Or are the "savage" and "Beak" one and the same?
-
"Percival Wemys Madison, The Vicarage, Harcourt St. Anthony, Hants, telephone, telephone, tele-" (5)
Equally if this information was rooted far down in the springs of sorrow, the littlun wept. His face puckered, the tears leapt from his optics, his mouth opened till they could run into a foursquare black hole. At first he was a silent effigy of sorrow; but then the lamentation rose out of him, loud and sustained every bit the conch.
Poor Percy. His identity is wrapped upwards in his address and name—but both of those are meaningless on the island. He's already forgotten his telephone number; by the end, he tin't even remember his full proper name.
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Source: https://www.shmoop.com/study-guides/literature/lord-of-the-flies/quotes/identity
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